Skill Sets:

With narrative film, documentary and corporate experience, I enjoy the variety in editing. Working from home or on site, I’m comfortable in both Adobe Suite and Davinci.

Boom operating and audio mixing has put me in so many exciting and crazy situations on set. Often times doing them simultaneously to catch a faint whisper which grows into a battle cry.

Credits include Death Valley (2020), Unbankable (2024), and A Knight’s War (2024)

Since my background is in visual art, the jump from shooting to pre-production made sense. I’ve made miniatures from start to finish, built full sized castle sets as part of a team, and I’ve always taken the opportunity to create smaller detailed pieces for set and costume.

I started camera operating 10 years ago. It’s what started my career and I never pass up on a shoot, no matter where it takes me. It’s my idea of fun to go back and forth from fancy gala livestreams to muddy farm shoots.

With enough experience to work with a wide variety of mediums. I’m enjoy communicating complex ideas, often riding the line between charming and off putting. I usually lean toward portraiture and surrealism.

Capturing candid moments is what I do best, so I’m drawn to portrait and event photography. Shooting with this approach allows me to produce a final product that feels genuine and true to the moment.